jump to Main Menu or Content

The Stewardship Network Membership Drive

For the past few years I have been involved with The Stewardship Network, ” a grassroots cooperative organization working to protect, restore, and manage Michigan’s natural lands and waters” and right now their annual membership drive is underway. They are a great bunch of people who do good work and if you aren’t already I hope you become a member. As with last year, I have donated a series of prints to give away with one of their membership levels. This year it is, Splatterdock, Sassafrass and Virgin’s Bower as in summer, fall and winter. Here is a link to their website and the membership drive. www.stewardshipnetwork.org/2012SpringMembershipDriveSplatterdock

The other day my daughter who is in fifth grade needed to write a poem in class. It is their last unit in writing before they move onto middle school having gone through all the other forms of written expression – personal narrative, research paper, expository essay and so on. The topic was animals, and as she has said before having to write in class on the spot in a desk with a handed topic and asked to be creative and to “find your voice”, well its hard. Write what you know I said. What first came to you mind and get inside of that thing and become it.   So she wrote a poem as a fish hiding from being eaten. After all she has always loved the water.

I wonder why there isn’t more poetry in our lives. Who writes, reads or exchanges poetry now? My father’s generation, they were made to memorize and recite it and still he is able to draw on lines now as a source of comfort and inspiration.  I know I used to write much more poetry  when I was young, when I knew less but doubted myself more, and the skin between my thoughts and emotions was thinner.  Recently I stumbled across several I had written while in China long ago. They were unfinished, really just observations and thoughts but in that moment of reading I had walked right back to a different time in my life. It was the things left unsaid that allowed a way back in. And I think that is why I have always liked poetry and  have been drawn to certain kinds of writing. Spare and rooted in observation.  It creates a space to breathe in a day of crowded thoughts. To see the small and the large all at once. But even before we get there, to sit quietly, reading and letting the words unfold, that  requires patience with the world and with oneself.  And maybe that is why we need more poetry in our lives.

My daughter’s next assignment was to write a poem about her room. Her room? At once completely a banal and amazing topic. Ever tidy and organized her room is a summary of who she is and at the same time with a shaggy green carpet and blue walls it is, I reminded her, like Max’s room and when he, of wolf suit, mischief and certainty steps into his boat to sail away. “and the walls became the world all around”. Isn’t that where she is at, moving from one world to another?

 

circa second grade, 1971


 

 

Brave little crocus.

Last night I searched the sky hoping that the Northern Lights would be visible from this far down in Michigan. You might be able to see them from the Great Lakes region, they had said on the radio. Earlier that day, a rare event had occurred millions of miles away with a huge flare on the surface of the sun.  A geomagnetic storm would happen, they had said, as the energized particles hit the earth. In the spring of 1989 a similar storm had knocked out the power in all of Montreal. I was living there then but have only a vague memory of it- a sensation of absolute stillness of the city, a walk up the mountain in a very dark night, quiet. Well, as I put out the garbage bins last night and looked up through the clear black sky toward the north, hoping, all I saw was an exquisite yellow moon rising. It was beautiful and bold and was taunting me as if to say, why look any further?

Open

Not long ago someone wanted to order the card with “the red bird singing”. Which one was this? I have a cardinal and a sparrow, I thought,  but neither of them is singing. Then I remembered what I have always considered to be the card for Valentine’s Day mainly because of the heart image, the symmetry and yes, the hopeful message on the back ” Keep a green tree in your heart and perhaps a singing bird will come”.   I made this card, it is true, with Valentine’s Day in mind, thinking of the paper doilies that we used to glue to the back of cut out construction paper hearts in school, the white fringe and fragile hope that someone somewhere would offer up their heart or at least a chocolate. But this singing bird card could be for any day really.  I first heard this saying from my father, a dedicated collector of quotes, of borrowed words to trace the poetry of life that runs beneath the surface of things. He has written the quote on a board which he nailed to his fence that runs along the lane at the back of his home. It is the same place where he offers up to passing strangers a garden of roses and cosmos and rescued flowers which bloom for no one in particular and everyone at the same time.  This saying, a Chinese proverb, is just that. Open your spirit and keep faith and there is a possibility, though not a certainty, that beauty, grace and yes love will enter into your life.

New Year

It is already mid January 2012, the start of another year and I have been thinking a lot lately about what kind of year this will be. Or what kind of year I want to make it. Last year portended difficult times from the very beginning when I missed the first day of the kids’ school back after winter break-scrambling and mad dashes are not the way to begin a year.  Then multiple disasters that hit Japan in March cast a watchful and wary pall over the year.  I can’t remember it being cloudier than usual but there were days that felt so.  Mind you, there were also great trips last year– in Montreal for the book launch, driving to Vancouver via Glacier, kayaking on Cortes Island, seeking art in New Mexico, and rediscovering New York with a pilgrimage to the Whitehorse Tavern and the High Line in November. Actually, a lot of travel.

So what kind of year it will be, this 2012? More reflection and less hurry. Less thinking about what I didn’t do, or need to do, and more where I am at the moment. Writing, drawing, being present. One recent weekend I was listening to NPR, the On Being program. A panel of scholars and religious leaders from three main faiths had come to honour the Dalai Lama. The topic was happiness, what it means and how it can be found. Happiness, said one, is behind us and all we need to do is slow down to let it catch up with us. In other words the potential for happiness, fulfillment, peace is with us always.  Listening, watching, breathing, calming the mind, being still while moving forward one step at a time -that is what I hope for this year.

(Photo of dawn in Quemado by T Brooks)

Steiner Holiday Bazaar

Here are some photos of my table from the recent Rudolph Steiner Holiday Bazaar and Children’s Faire, Dec 2 and 3. I have been at this event for about four years and as always it is a really great event, well organized by dedicated parents who turn the school into a holiday event to stimulate all the senses and who welcome a good sized crowd who appreciate all things handmade.

 

Been a busy few weeks. Today just finished the first of three holiday sale events, Homegrown at Cobblestone Farms, and despite the soggy weather a good turn out from people already into their holiday shopping. The space, often used for weddings and receptions  is in the barn on this historic property and today it was festive with white lights, nice music from a trio of local musicians up in the loft, great Salvadorean food below and a good group of local artists and craftspeople all about. I think everyone was happy about this first time ever event. Good work!

New Mexico

Last week I went to New Mexico with my mom.   She is a sculptor and installation artist, and for a long time I have been thinking of taking her on a road trip that would inspire her in similar but different ways as her experience of the Arctic did. I knew it had to be someplace elemental, where you feel a connection to earth and sky.  So we went on a pilgrimage to the Lightning Field a permanent land installation by the sculptor Walter de Maria in western New Mexico. It was commissioned in 1977 by the DIA Foundation of New York and has been maintained by them ever since.    From May until October six people are allowed to stay at the site overnight in a homestead cabin, the small ratio of people to landscape being a requirement of the artist as is the almost 24 hour experience of it ( and no photographs of the work).   There were two spots left for Oct 17.  So after a few lovely days in Santa Fe we headed for the tiny town of Quemado three hours away and the jumping off point to the remote location of this mysterious work.

“very windy when we arrived. No lightning forecast, but no matter.  The poles, all 400 of them more than 20 feet tall stretch out in all directions, fading into the distance. Vertical markers in this high desert grassland are in a one mile by one km grid, each 220 feet apart. They look absolutely still, like sentinels, until I touch them and they are vibrating in the wind that sweeps across this plain. Lying down in the middle of this silent space I see blue sky and hear nothing, save the wind and the clicking of grasshopper wings. We walk and find beautiful anthills formed of tiny pebbles.
The poles are like reason and intention imposed on this wild land, and you can see how their tips create a perfect plane, a straight visual line drawn across the distant mountains – their order a paradox of perfection and human effort in a landscape full of its own natural order and ease.  I step inside the “field” described by the poles and I think – perimeter, parameter, boundary, edge, limit or limitless, the end or the beginning?

 

Now the poles are catching the light that is fading fast, their shaped tips gleam like small flames. Now the sun has disappeared over the western horizon but the sky is slipping into every shade of violet to black. Now it is night and a thousand stars stretch across the sky and us, stretched out on our backs, wrapped in blankets and the silence and our own thoughts.  Now it is day and a big headed owl is hunting low in the dawn darkness and a chorus of coyotes starts up when the sun breaks through the lip of the eastern horizon.”

 

There were no storms for us at the Lightning Field, and so we never saw the way the work literally connects the earth and sky by drawing down the lightning. That iconic image will have to remain on the cover of Artforum and in our collective imaginations. But being there that sunny late autumn day was special. Leaving it was like walking backwards across the sand, walking lightly without leaving a footprint, moving from an extraordinary moment back to a regular life.

2012 Calendar on the way

Its been a while since I have written. The Homegrown Festival came and went on what seemed like a gust of good energy and fun. The calm before the storm, since we have had nothing since, weather wise, but chilly rain and the garden is feeling quite neglected. Just as well I suppose, for me  since have been buckling down in the studio preparing for the new calendar. Am glad to report it is almost ready to head to press.  I am pleased with the images, having conceived them more as a whole this year, with an eye to  the rhythm of colour and form as you flip from month to month.  Many of the plants in the new calendar are ones I have encountered throughout the year, most having made their way into the 12_decgarden or  the city via the open meadows or woodlands of this region. Some, like this spiderwort is a variety I have in my garden -a more stylized  riff on the native species.  As always it has been a  pleasure to do the research on them – discovering details of their growth habits, their beneficial relationships with animals and insects, their traditional uses and the puzzle of their naming, both common and scientific.  It is like unraveling a mystery.  As a friend once said, upon learning the full names of trees he had known all his life in Vancouver, it is like getting to know old friends.